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“Then along came Erda, rising from a prone position and beautifully sung by Rozanna Madylus. She has a smooth, glorious, and calm voice…She was a class act.”

The Mahler Players: Wagner: Siegfried Act 3, Edinburgh Music Review, December 2023

“Madylus delivered with absolute commitment, her voice often shaking the rafters.”

Brünnhilde’s Dream, Wigmore Hall, Evening Standard, January 2023

“As brother and sister Hänsel and Gretel, Rozanna Madylus and Beren Fidan are a great double act and very believable in role. Madylus’ facial expressions are a continual delight and the two spar off each other with great glee – I have seen the opera many times, and have never seen these roles in better hands! They get the innocence of youth beautifully and are always watchable.”

Hänsel und Gretel, Hampstead Garden Opera, LondonTheatre1, November 2023

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“Madylus revealed the full range of colours available to her: there was sombre darkness in the lower register, but her rich mezzo glowed when it rose. She later showed that the fullness of her sound could raise the rafters, holding all in the Hall in a vocal embrace, but also that she could float a lovely high line too”

Brünnhilde’s Dream, Wigmore Hall, Opera Today, January 2023

 

 

“Under the unflinching concert-hall lighting, Madylus gave an intense but not histrionic performance, always retaining a sense of spontaneity, and her tangy high mezzo meshed to satisfying effect with the instruments around her. Aptly, there was a salute to heroism in the incongruous but welcome encore – a song with which Madylus, who grew up in Leicester, celebrated her Ukrainian heritage.”

Brünnhilde’s Dream, Wigmore Hall, Opera Magazine, April 2023

 

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“Mezzo Rozanna Madylus sings this role with style and brings a touch of swagger to the part”

The Cunning Little Vixen, Plays to See, November 2022

 

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“Madylus excelled as Cordelia, seeking reconciliation though with mixed feelings for her father”

The Shackled King, Opera Magazine, October 2021

 

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“Rozanna Madylus, als Prinz Orlofsky mitguteBühnenpräsenz und goldenem Mezzo.”

Die Fledermaus, Berliner Morgenpost, July 2018

 

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Kokoschka’s Doll – Sir John Tomlinson & Rozanna Madylus

Counterpoise is a highly acclaimed ensemble consisting of some of the most sought-after instrumentalists in the UK. It was formed in 2008 to give the first performances of a new work, On the Edge, commissioned from the outstanding young English composer Edward Rushton. Its programmes cross musical genres and explore the relationship between music, poetry and visual elements, seeking also to develop aspects of narrative and other extra- musical influences.